Day 5: Saturday, June 12, 2010

Saturday and we would be on our own, exploring the nooks and crannies, the bowels of Paris, above and below, and in between.

Since last Wednesday’s sudden downpour, I had been nursing a slight cold and was coughing a bit. So before launching on our trip to the Arc d’Triomphe and Eiffel Tower west of the city, we went to look for a pharmacy in one of the streets on route.

It turned out to be quite a trip to the streets past the Palais Royal, formerly known as the Cardinal’s Palace because it was built by Cardinal Richelieu, appointed First Minister by Louis XIII, in the mid 1600s. On his deathbed, the Cardinal willed the estate to the King, thus the name Palais Royal. Only a fragment of the palace survives; now the Comedie Francaise and the Palais Royale Theatre form part of the complex. Moliere, acting there in one of his own plays, Le Malade Imaginaire (The Imaginary Invalid), collapsed on the stage in 1673, and died shortly thereafter.

On July 13, 1789, at now-gone Café Foy in the Palais Royal, Camille Desmoulins jumped up on a table and shouted for the mob to fight to the death, marking the start of the French Revolution.

As we exited the buildings now housing the Ministry of Culture and the State Council, we came across rows upon rows of stunted columns by artist Daniel Buren in the courtyard’s pavement. The columns stood like chess pieces waiting to be moved. We were moved by the artist’s sense of play.

Had we known earlier, we could have looked for the houses of famous people who once lived in the apartments in the area. Along rue Galerie de Beaujolais, on No. 9, facing rue Vivienne, was the home of the novelist Colette. On rue Monpentsier, southward, on No. 36, once lived the artist Jean Cocteau. But since looking for famous people’s homes was not on our agenda, we continued to walk the huge streets past the Opera House, on to Place Vendome (see two photos above), home of the Ritz, Chanel, banks and lux stores in a square dominated by the statue of Napoleon.

Champs-Elysées

To get to the Arc de Triomphe, we crossed the famed rue du Faubourg St-Honoré, home to the big designer houses, and on to the mass market and teen stores along the Right Bank on Champs-Elysées.

The Champs-Elysées was designed by Parisians to indulge in their favourite pastime: the promenade. Part of the walk, we found out, was through a chestnut-lined park, and the rest, along a commercial avenue filled with sidewalk cafes, sports and shoe stores, video and computer outlets, fashion boutiques, and fast-food joints.

Arc de Triomphe

By this time, our feet had swelled with our bunions’ constant pounding of the pavement. But the Arc de Triomphe beckoned just another three hundred metres away, so we persevered.

The Arc was worth the agony of our long walk. It stood like one of those ancient Roman arches about 163 feet high and 147 feet wide, the biggest triumphal arc in the world. It had been commissioned by Napoleon in 1806 to commemorate his victories. It’s now the site of the permanent tomb to France’s Unknown Soldier.

The Eiffel Tower

In 1889 when it was built, the Eiffel Tower, at 981 feet, was the tallest edifice in the world. Although other more modern and much taller towers had been built since then, the Eiffel Tower remains a sight to behold: an open framework construction weighing about 7,000 tons.

We stood underneath the tower and tried to count the two and half million rivets lining the rocket of steel lacework. We stopped counting at 2,010 rivets (in honour of the Year 2010), because by then we were out of breath and choking with awe.

The French know how to project their pride in their roots, heritage and accomplishments. No wonder Albertans claim to be in Canada’s province with the biggest: the world’s largest Ukrainian Easter egg near Vegreville, the world’s largest bee in Falher, the world’s biggest kielbasa sausage in Mundare and the largest softball in Chauvin, to name just a few.

Since we still had plenty of time in our hands, we took the Metro to Montparnasse to visit its famous cemetery. This is where the fun begins. Although the cemetery is replete with landmarks pinpointing the graves of the famous and the infamous, merely using the map won’t bring you nearer or closer to the grave of the famous person you’d be looking for.

The much-sought-after joint grave of Jean Paul Sartre and Simone de Beauvoir, French existentialist philosophers and writers, although marked on the map as located on the centre of the cemetery, wasn’t where it was supposed to be. Instead, the helpful woman custodian on the entrance at avenue Edgar Quinet guided us to the site which was left of the main entrance.

As he searched grave upon grave looking for the famous pair’s joint grave, Joe stumbled upon his favourite playwright Eugène Ionesco’s tomb.

Soon enough, we also found poet Charles Baudelaire’s tomb on right end side of the cemetery, with some freshly-lain flowers on its well-kept grave.

Standing before these famous people’s graves only brought a twinge of sadness to us; yes, the solitude and insignificance of human existence becomes all the more stark as we encounter death in its abject manifestation, among the tombs of the famous and the-not-so famous. In the end, death puts us on a levelling field, yet even in death, depending on our circumstance, we could be lying under a tomb of marble or hogging space in a common potters’ field.

Jean-Paul Sartre and Simone de Beauvoir at the Balzac Memorial in 1920s.

Source: Wikipedia

Day 4: Friday, June 11, 2010

Today’s agenda is the reason why we’re here in Paris. Isobel and her boyfriend Steve picked us up by taxi to go to her MBA graduation at HEC Paris in Jouy en Josas, a suburb close to Versailles.

Jouy en Josas was close to an hour’s ride past the frenzied traffic and buildings of the city core. Huge trees and wild flowers dotted the fields in the outskirts of Paris. Here and there an occasional herd of cows came into view, amid the plowed fields and patches of vegetation. Along the road were new housing developments as well as huge houses with treed lots one would see in a typical North American suburb.

The HEC Paris School of Management nestles on a 300-acre property on the hills of Jouy en Josas. The international business management school is housed in a complex of low, modern and spare buildings bare of the opulence and intricate facades one would associate with old French architecture. More of Frank Gehry, even more of Corbussier: lean, geometrical, bordering on the austere, befitting its business school agenda. There was a totally relaxed air as Isobel whisked us through their classrooms and lecture halls, the students’ lounge, the various meeting areas where they tossed and bounced off ideas.

Before the graduation ceremonies hosted by their associate dean for HEC MBA, Dr. Valérie Gauthier, MBA candidates, mentors, parents and friends, met and greeted each other over a scrumptious lunch served, buffet-style, on the graduate school grounds. There we met Isobel’s friends and classmates and their parents and relatives. They were a bouncy lot, happy, welcoming and without guile; it was like meeting old friends.

Having spent their one and a half years in HEC Paris together, parting after the ceremonies was a heartbreaker for all graduates. Perhaps they’d meet again, perhaps not. But whatever was in their minds was tossed to the air when they gave their final toss to their caps, to the future, and beyond.

As parents, we felt proud for Isobel and of what she’s accomplished on her own, winning the Forté Foundation Fellowship for women leaders and completing her MBA program with high marks. We prayed she would continue to contribute her talent to causes dear to her heart.

Day 3: Thursday, June 10, 2010

First stop: The Louvre Museum.

Since the museum was only a few hundred metres away from our flat, we walked to Museum’s gates at the Metro stop M. Palais –Royal/Musee du Louvre.

Construction of the world’s largest museum began in 1190 and still continues today. We entered through the baroque gates to the courtyard (Cour Napoléon) and on to underground level surmounted by a glass pyramid.

Architect I.M. Pei’s modernist pyramid was built amid much-public debate in 1989, yet when viewed today seems the apt addition to the world’s largest collection of antiquities, sculptures, drawings, prints and objets d’art. Sprawled at 45 acres, the Louvre is Europe’s largest royal palace; in fact, it can easily fit in three cities the size of Vatican City.

According to history buffs, the first building on the site was built on the Cour Carrée (square courtyard) in the 7th century, in an area known as Lupara, Latin for wolf hunt kennels, and was later adapted in French to Louvre. However, the first documented structure was a small fort built by King Philippe Auguste (c. 1190-1223) to protect the western wall of Paris.

Since we couldn’t possibly visit all of the Louvre’s departments (there are seven), we chose to zip through the Egyptian and Oriental Antiquities to roam at the Greek, Etruscan and Roman galleries and view the museum’s two most famous pieces, the Venus de Milo and the Winged Victory (Nike) of Samothrace.

We wanted to look for Venus de Milo but couldn’t go past the crowds, so we opted to brave a flight of stairs to gaze at the Winged Victory, the statue of the Greek goddess of victory, still as awe-inspiring as when it was first sculpted in 190 BC.

Then we went on another rush—searching for the famous Mona Lisa painting by Leonardo da Vinci, the most famous among the Italian Renaissance works. Safe and secure under a glass enclosure, La Joconda (painted in 1503) lives up to her name, the Smiling One, as she smiles mysteriously at millions of gawkers each year.

The Louvre’s painting collection which begins with the Middle Ages up to the mid-19th century boasts of masterworks by Jan Van Eyck, Peter Paul Rubens, Jacques-Louis David, Jean Auguste Dominique Ingres, Goya, Velasquez, Eugene Delacroix, Raphael, and Titian. Wall upon wall gave out the splendour of the ages and the artists` renditions of their milieu. They presage the work that we would encounter on our next stop, the Musée D`Orsay.

Second stop: The Musée D’Orsay at Metro Solferino.

We walked through the sculpted gardens of The Tuilleries amid a fine mist and sauntered along Pont Royal, one of the bridges spanning the river Seine.

Musée D’Orsay, a former railway station-turned-art museum, presents all of the various artistic movements from 1848 until the First World War. It showcases both the icons and iconoclasts of the 19th century art world, the Impressionists against their more conservative contemporaries.

It was a joy to behold works by Van Gogh, Degas, Gaugain (see painting below), Monet, and Pissarro at eye level, and on more modest walls, an experience that could make one weep. The week we were there, construction was going on in some of the exhibit areas that the museum administrators thought it best to house the Impressionists in one exhibit hall. Because we were pressed for time, it was the greatest exposure to these masters in one visit we could ever have had in our lifetime.

Van Gogh’s paintings remain fresh, full of life and scintillating, as if the artist had just left his brushstrokes on the canvas to dry. The sun`s rays peeking through the blades of grass and harvested wheat, the blue skies against the orange, yellow and dusky folds of old cottages and fields. Alas, we were so enthralled we forgot to take photos of his masterworks.

After Musee D’Orsay, we passed through yet another bridge to go back to gardens in The Tuilleries, where we encountered a couple of lovebirds seated in wrought-iron chairs under the trees, enjoying their little trysts with a bottle of wine, fruit and some cheese. If ever we were to go back in Paris, we resolved to re-enact this scene al fresco, if not with the same youthful vigour.